- Year of study: Two semestres, autumn and spring
- Final assessment: Performance
- Language of tuition: Norwgian/English
Course description
This course provides an introduction to basso continuo (figured bass) on keyboard instruments, specifically harpsichord and organ. Through both practical and theoretical approaches, students develop an understanding of notation and figured bass symbols, as well as skills in realizing basso continuo in various types of repertoire, including chamber music, orchestral works, and sacred music. The course draws on historical figured bass methods from the 17th and 18th centuries. Students will also be introduced to the notation of ornaments and suspensions. Basic music-reading skills and knowledge of chord playing on keyboard instruments are required.
Course Coordinator: Piano, Accompaniment, Guitar, and Accordion Department
Learning objectives
Upon completion of the course, the students is expected to
- have a basic understanding of figured bass notation, principles, and historical context
- be able to read and realize figured bass in both simple and more advanced forms
- be familiar with stylistic differences in continuo practice from various parts of the Baroque period
- have experience with different keyboard instruments, ornamentation, improvisation, and various genres
- be able to participate as a continuo player in an ensemble or accompany soloists
Overview
Topics include:
Introduction to basso continuo
- Historical context and development
- The function of basso continuo and the role of the keyboard player in various 17th- and 18th-century genres
Notation and realization
- Reading and performing from figured bass notation
- Writing out certain figured bass suspensions
Instrument-specific techniques
- Techniques specific to harpsichord and organ
- Soloistic basso continuo and expression of affect
Practical work
- Ensemble playing during class
- Study and independent practice of examples from historical basso continuo methods and Baroque repertoire
Structure
There are weekly classes for 90 minutes throughout two semesters. It combines lectures, practical workshops, and ensemble work.
Course requirements
Participation in the scheduled lessons is compulsory. Absence of more than 20% will normally lead to failure of the course.
Final assessment
All course requirements must be approved for the student to receive a final assessment.
Students are required to perform in either an ensemble or solo format. Performances are organized by the students in collaboration with the course instructor. Assessment is carried out by at least one internal examiner, normally the course instructor. Final assessment is expressed as pass or fail.
Reassessment
For reassessment, the course must be retaken in its entirety.