Prospectus 2021
Study programmes
- KADI - Bachelor of Music in Conducting
- KAUTKL - Bachelor of Music Performance – Classical
- UTBA - Advanced Music Performance One-Year Undergraduate Programme – Classical
- DIMA - Graduate Conducting Diploma
- MADIUT - Artist Diploma – Master of Music Performance
- MADI - Master of Music in Conducting
- MAKP - Master of Music in Composition
- MATE - Master of Music in Music Theory
- MAUM - Master of Music in Performance Technology and Electroacoustic Composition
- MAUT - Master of Music Performance
- UTMA - Graduate Performance Diploma – Classical
- DRGR - The Academic PhD Programme in Music
- VUJZKOMP - Jazz Composition
Courses
- BARENS20/21 - Baroque ensemble
- BRUGIT20/21 - Applied Guitar – Improvisation/Figured Bass I/II
- BRUKLA20/22 - Applied Piano – Improvisation/Figured Bass I/II
- BRUKLA21/23 - Applied Piano – Playing by Score I/II
- BRUTREK20/21 - Applied Accordion I/II
- CBE - Christiania Wind Ensemble
- ENTREP70 - Entrepreneurship for Master's Students
- FOLKINST20/21 - Traditional Folk Music Instrument
- GITAR20/21 - Applied Guitar – Playing by Score I/II
- INSTVAR20/21 - Instrument Heritage I/II
- JAZZENS20/21 - Jazz Vocal Ensemble I/II
- JZSLAGEN20/21 - Jazz Percussion Ensemble I and II
- KUKD90 - The Artistic PhD Project
- KUMU90 - Artistic Research in Music
- KUNF90 - The National Research School for Artistic Research
- KUPD90 - Project – Specific Topic
- LM20 - Nordic Harmony
- NORSK21 - Norwegian Language Follow-Up Course
- OPERA20/21 - Opera Seminar
- PRØVESP20/21 - Audition Training I/II
- SSO - Ensemble Practice in Stavanger Symphony Orchestra
- TIMANI20 - Timani
- ØVING20 - Developmental Practicing Workshop
- VALG20 - Electives
- VALG25 - Electives
- VALG30 - Electives
- VALG15 - Electives
- VALG10 - Electives
- VALG07 - Electives
- VALG05 - Electives
- KOMVID20 - Video for composers and musicians
- BRUORG20 - Applied Organ
- IMPRO20 - Improvisasjon II
- INSTENS20 - Didaktikk for instrumental- og ensembleundervisning
- AKKREP20 - Accompaniment for pianists
- ALEX20 - Alexander Technique
- ANPRAK20 - Practical Analysis
- BARENS - Baroque Ensemble Ia
- BASCON10 - Basso Continuo
- BERBER20 - Berber - Cultural work in Morocco
- BESIMP10 - Musical Shorthand and Improvisation
- BEVEG20 - Movement for Musicians
- BFO - Bergen Philharmonic Orchestra
- BLENS20 - Wind Ensemble
- BRUGIT20 - Applied Guitar Ia - emphasizing improvisation/figure bass
- BRUGIT21 - Applied Guitar Ia - emphasizing improvisation/figure bass
- BRUGITUT20 - Applied Guitar for Classical Guitarists
- BRUKLA10 - Applied piano I
- BRUKLA22 - Applied Piano IIa - emphasizing improvisation/figure bass
- BRUKLA23 - Applied Piano Ib - emphasizing playing from scores
- BRUKSLAG10 - Applied Percussion
- BRUTREK20 - Applied Accordion I
- DIG10 - Digital Literacy for Musicians
- DIHO10 - Instrument I
- DIHO20 - Instrument II
- DIPA10 - Conducting Technique and Repertoire/Score Study I
- DIPA20 - Conducting Technique and Repertoire/Score Study II
- ENSLED10 - Ensemble Direction
- EXMUS11 - Music History, Analysis and Aesthetics II
- EXMUS12 - Music History, Analysis and Aesthetics II
- FOLKINST20 - Traditional Folk Music Instrument
- FOLKINST21 - Traditional Folk Music Instrument
- FONE10 - Phonetics
- FONE12 - Phonetics
- FRANSK20 - French
- FMHIST20 - Norwegian Traditional Folk Music History
- GEHØR10 - Aural training I
- GEHØR11 - Aural training II
- GEHØR13 - Aural training for piano technicians
- GEHØR30 - Aural Training III
- GEHØR31 - Aural Training IV
- GENBASS20 - Harpsichord / Basso Continuo for Recorder Players
- GITAR20 - Applied Guitar Ib – emphasizing playing from scores
- HISTHARP20 - Historical Orientation for Harpists
- IMPRO10 - Improvisation
- IMPRO27 - Jazz Improvisation
- IMPSAMT20 - Improvisation-based Contemporary Music I
- IMPSAMT21 - Improvisation-based Contemporary Music II
- IMPSTUD20 - Improvisation in the studio
- INST12 - Instrumentation
- INSTE10 - Instrument Knowledge
- INSTVAR20 - Instrumental variant (including historical variant of the student's principal instrument)
- INSTVAR21 - Instrument variation
- INTERC20 - Interpretation Practice in New Music (From ca. 1950)
- JAENS - Jazz Ensemble
- JZHO10 - Principal Instrument I
- JZHO20 - Principal Instrument II
- JZKOMP50 - Jazz Composition
- JZSLAGEN20 - Extended Ground Percussion Ensemble 1
- JZSLAGEN21 - Extended Ground Percussion Ensemble II
- KAKOR - Chamber Choir
- KAKOR20 - Chamber Choir
- KAMMUS11 - Chamber music I
- KAMMUS13 - Chamber Music
- KAMMUS20 - Chamber music II
- KAMMUS27 - Chamber Music I
- KAMMUS30 - Chamber Music
- KLPA10 - Piano / Score Playing I
- KLPA20 - Piano / Score Playing II
- KOMP26 - Composition for Ensembles
- KONSPRO20 - Concert Production for Bachelor Students I
- KONSPRO21 - Concert Production for Bachelor Students II
- KORLED22 - Choir Conducting
- KPKONS - Production Skills for Composers
- MPHO20 - Main instrument II
- MUHIST12 - Music History I
- MUSBI20 - Music in an International Aid Programme
- MUSTEK21 - Project Studio
- MUSTEK22 - Recording Studio
- MUSTEK24 - Introduction to Live Electronics: Ableton Live
- MUSTEK29 - Sound Reinforcement
- MUSTEK37 - Mix of Sound
- MUSTEK45 - Vocal Music Production
- NORSK20 - Norwegian Language Course
- ORATORIE20 - Lied and Oratorio Seminar
- ORGIMP11 - Organ Improvisation
- ORGIMP23 - Organ Improvisation
- ORK30 - Orchestra
- ORKUN10 - Organ Mechanics
- PRAHA20 - Practical Harmonisation for Guitarists
- PROF20 - Industry, Profession and Identity
- PROPO20 - Professional Portfolio
- ROMINT20 - Song Interpretation
- SANG20 - Singing for Instrumentalists
- SATS10 - Harmony I
- SATS11 - Harmony II
- SLAGENS10 - Percussion Ensemble I
- SLAGENS20 - Percussion Ensemble II
- SLAGENS30 - Percussion Ensemble
- SSO20 - Orchestral Internship Stavanger Symphony Orchestra
- TASTINST20 - Keyboard instrument
- TYSK20 - German
- UTHO10 - Principal Instrument I
- UTHO18 - Principal instrument I
- UTHO20 - Principal Instrument II
- UTHO21 - Principal Instrument II
- UTHO23 - Principal Instrument II
- UTSTØ10 - Subsidiary Performance Course
- VOKIMP20 - Vocal Improvisation for Classical Singers
- KUBA20 - Forum for Artistic Research – Bachelor
- ANPRAK20 - Practical Analysis
- KOMP26 - Composition for Ensembles
- MUSTEK21 - Project Studio
- MUSTEK22 - Recording Studio
- MUSTEK37 - Mix of Sound
- KPKOMP11 - Komposisjon
- KOHO20 - Instrument II
- FEEDBACK20 - Workshop on performance and reflection on artistic processes
- MENTØV20 - Mental Practice Strategies
- PRIMAVISTA20 - Prima Vista
- SLÅTTROM20 - Slåttetromme
- AURSKILL20 - Aural Skills Pedagogy
- PIANO21 - 21st Century Piano
- DYRMU20 - The Music History of Animals
- IMPSAMT20/21 - Improvisation-based contemporary music I/II
- AKKREP20/21 - Piano Accompaniment I/II
- ATMAST70 - Master Thesis
- CONCOM70 - Contemporary Music and Commission Work
- DIHO70 - In-Depth Instrument Training
- DIMAST70 - Master Project – Specialisation
- DISTUD70 - Conducting
- DISTUD71 - Conducting
- DISTUD78 - Conducting
- ECF20 - European Creative Futures
- FONSTE70 - Introduction to Phonetics and Voice Theory
- FORFOR70 - Research Forum
- GRLED70 - Orchestral Section-Leading
- KAMMUS70 - Chamber Music for Master Students
- KOMP29 - Composing for Ensembles
- KONSPRO70 - Concert Production for Master's Students I
- KONSPRO71 - Concert Production for Master's Students II
- KPKUNST70 - Artistic and Aesthetic Seminar I
- KPKUNST71 - Artistic and Aesthetic Seminar II
- KPMAST70 - Master Work
- KUNSTFORM70 - Artistic Specialisation I - Concert production/Outreach
- KUNSTHO70a - Artistic Specialisation I – Principal Instrument
- KUNSTHO70b - Artistic Specialisation II – Principal Instrument
- KUNSTHO70c - Artistic Specialisation III – Principal Instrument
- KUNSTORK70 - Artistic Specialisation I – Orchestra
- KUNSTPRO73a - Artistic Specialisation I – Project
- KUNSTPRO73b - Artistic specialisation II – Project
- MASTFOR70a - Master's Forum I
- MASTFOR70b - Master's Forum II
- MUSPER71 - Music in Perspective
- MUSPER72 - Project Development and Music in Perspective
- MUSTEK70 - Music Technology
- OPEHIST70 - History of Opera
- ORK70 - Orchestra – Additional Projects
- TEAN70 - Analysis I
- TEAN71 - Analysis II
- TEFOLK70 - Traditional Norwegian Music and its Theories
- TEHIST70 - History of Music Theory
- TEJAZZ70 - Jazz Theory and Arranging
- TEKMAST70 - Master's Project
- TEKOGN70 - Music Cognition and Aural Skills
- TEMAST70 - Master’s Project
- TEPART70 - Partimento and Counterpoint
- UTDIPLOM70 - Artist Diploma Project
- UTKAMM70 - Chamber Music and ECMA IP
- UTKOMP70 - Composition and Performance
- UTMASTER70a - Master's Project I
- UTMASTER70b - Master's Project II
- UTMASTER72b - Master's Project II
- UTMASTER73a - Master's Project I
- UTMASTER73b - Master's Project II
- UTMAST70 - Master's Project
- UTMASTER74 - Master's Project
- UTMASTER76 - Master's Project
- UTMASTER78 - Master's Project
- UTPRO70 - Semester Projects
- UTPRO73 - Project Activity and Entrepreneurship
- UTREPINT70 - Repertoire and Interpretation
- UTREPINT74 - Repertoire and Interpretation
- UTREPINT75 - Repertoire and Interpretation
- UTREPINT77 - Repertoire and Interpretation
- UTREPINT78 - Repertoire and Interpretation
- UTREPINT79 - Repertoire and Interpretation
- UTREPINT90 - Repertoire and Interpretation
- EXCHANGE70 - Exchange semester
- EXCHANGE71 - Exchange semester
- RHYTAN20 - Rhythm Analysis
- DRAVHA90 - PhD Dissertation and Disputation
- DRMET90 - Research Methods
- DRVALG90 - Project Concentration Elective
- DRVIT90 - Philosophy of Science
- DRFORMID90 - Text and Presentation Forum
- DRINNF90 - PhD Introductory Course with Ethics
- ORGIMP51 - Church Organ Improvisation
- SANG50 - Singing