Prospectus 2026
Study programmes
- BADI - Bachelor of Music in Conducting
- BUKL - Bachelor of Music Performance – Classical
- VUSAMT - Continuing Studies in Contemporary Music Performance
- VUIMPSAMT - Continuing Studies in Improvisation-based contemporary music
- VUARTDIP - Artist Diploma in Music Performance
- Valgemne-katalogen - Electives overview
- MAUT - Master of Music Performance
- MADI - Master of Music in Conducting
- MAKP - Master of Music in Composition
- MAPA - Master of Music in Practice-Oriented Music Analysis
- DRGR - The PhD Programme in Music Research
- PHDKU - PhD Programme in Artistic Research in Music
- VUJZKOMP - Jazz Composition
Courses
- KUKD90 - The Artistic PhD Project
- KUMU90 - Artistic Research in Music
- KUPD90 - Project-specific component
- VALG05 - Electives
- VALG07 - Electives
- VALG10 - Electives
- VALG15 - Electives
- VALG20 - Electives
- VALG25 - Electives
- VALG30 - Electives
- BARPROD20 - Barnemusikkproduksjon
- JZSLAGEN20 - Jazz Percussion Ensemble I and II
- AKKOMP10 - Accompaniment
- BASCON10 - Basso Continuo
- BESIMP10 - Musical Shorthand and Improvisation
- BRUKBC10 - Introduction to Basso Continuo for harpists
- BRUKLA10 - Applied piano I
- BRUKSLAG10 - Applied Percussion
- DIG10 - Digital Literacy for Musicians
- DIHO10 - Instrument I
- DIHO20 - Instrument II
- DIPA10 - Conducting Technique and Repertoire/Score Study I
- DIPA20 - Conducting Technique and Repertoire/Score Study II
- ENSLED10 - Ensemble Direction
- EXMUS11 - Music History, Analysis and Aesthetics II
- EXMUS12 - Music History, Analysis and Aesthetics II
- FONE10 - Phonetics
- FONE12 - Phonetics
- FRANSK20 - French
- FRKU10 - Kunstnerisk hovedemne I
- FRKU20 - Kunstnerisk hovedemne II
- GEHØR10 - Aural training I
- GEHØR11 - Aural training II
- GEHØR13 - Aural training for piano technicians
- GEHØR30 - Aural Training III
- GEHØR31 - Aural Training IV
- GENBASS20 - Harpsichord / Basso Continuo for Recorder Players
- HISTHARP20 - Historical Orientation for Harpists
- IMPRO10 - Improvisation
- INST12 - Instrumentation
- INSTE10 - Instrument Knowledge
- JZHO20 - Principal Instrument II
- JZKOMP50 - Jazz Composition
- KAMMUS11 - Chamber music I
- KAMMUS13 - Chamber Music
- KAMMUS20 - Chamber music II
- KAMMUS30 - Chamber Music
- KLPA10 - Piano / Score Playing I
- KLPA20 - Piano / Score Playing II
- KOHO20 - Instrument II
- KORLED22 - Choir Conducting
- MPHO20 - Main instrument II
- MUHIST12 - Music History I
- ORATORIE20 - Lied and Oratorio Seminar
- ORGIMP11 - Organ Improvisation
- ORK30 - Orchestra
- ORKUN10 - Organ Mechanics
- PRAHA20 - Practical Harmonisation for Guitarists
- PROF10 - Musicians’ Health, Motivation and Practice
- PROF11 - Stage Awareness and Artistic Expression
- PROF20 - Industry, Profession and Identity
- SATS10 - Harmony I
- SATS11 - Harmony II
- SATS51 - Music Theory and Analysis
- SLAGENS10 - Percussion Ensemble I
- SLAGENS20 - Percussion Ensemble II
- STEFYS10 - Vocal physiology and anatomy
- TASTINST20 - Keyboard instrument
- TYSK20 - German
- UTHO10 - Principal Instrument I
- UTHO14 - Principle instrument I
- UTHO18 - Principal instrument I
- UTHO20 - Principal Instrument II
- UTHO21 - Principal Instrument II
- UTHO23 - Principal Instrument II
- UTHO24 - Principal instrument II
- KAMMUS27 - In-depth study of Chamber Music
- KONSPRO20 - Concert Production for Bachelor Students I
- KONSPRO21 - Concert Production for Bachelor Students II
- KUBA20 - Artistic Development
- ORGEL21 - Orgel fordypning
- ORGIMP23 - Organ Improvisation
- KMKLA10 - Organ Mechanics
- KLKMPA10 - Organ Mechanics
- EARLYMUS20 - Early Music Performance Practice Class
- IMPSAMT20 - Improvisation-based Contemporary Music I
- TRIO20 - Triologen/operalab
- AKKREP20 - Accompaniment for pianists
- ALEX20 - Alexander Technique
- ANPRAK20 - Practical Analysis
- ARAMU20 - Arabic Music
- BARENS20 - Baroque ensemble
- BARIMP20 - Baroque interpretation
- BLENS20 - Wind Ensemble
- BRUGIT20 - Applied Guitar – Improvisation/Figured Bass
- BRUKLA20 - Applied Piano – Improvisation/Figured Bass I
- BRUKLA21 - Applied Piano – Playing by Score
- BRUORG20 - Applied organ
- BRUTREK20 - Applied Accordion
- CBE - Christiania Wind Ensemble
- CONGIT20 - Basso continuo on guitar and other historical instruments
- DASPILL20 - Instrumental Folk Dance Playing
- DNS70 - Ensemble practice in the Norwegian Soloists' Choir
- ECF20 - European Creative Futures
- ELEKTMUS20 - Experimental Electronic Music
- ELEKTMUS21 - Eksperimentell Elektronisk Musikk II - MusicHackSpace
- ENSANG20 - Ensemblesang
- EXCOM20 - Extended Composition
- FELE20 - Norwegian Traditional Music for String Players
- FMHIST20 - Norwegian Traditional Folk Music History
- FOLKDANS20 - Folk Dance
- FOLKINST20 - Traditional Folk Music Instrument
- FOLKSONG20 - Norwegian folk song
- GEHØR34 - Advanced Aural Training
- GITAR20 - Applied Guitar Ib – emphasizing playing from scores
- HAMKLAV20 - Fortepiano for pianists
- IMPRO27 - Jazz Improvisation
- INDISK20 - Indisk musikk
- INSTVAR20 - Instrument Variant
- INTERC20 - Interpretation Practice in New Music (From ca. 1950)
- JAZZENS20 - Jazz Vocal Ensemble
- JZARR20 - Jazz Arranging
- JZBIRYTM20 - Jazz, Pop, Rock Secondary Instrument – Rhythm Section
- JZSAM20 - In-depth Ensemble Practice for Jazz and Improvisation Students
- KADENS20 - Cadenza - Create Your Own Solo Cadenza
- KAMMUS25 - Kammermusikk for organister
- KLIMPRO20 - Tonal Classical Improvisation
- KMKOR21 - Church Music Choir
- KOMP26 - Composition for Ensembles
- KOMVID20 - Video for composers and musicians
- LYCHRO20 - Lydian Chromatic Concept of Tonal Organization
- MENTØV20 - Mental Practice Strategies
- MUSFIL20 - Music Philosophical Polyclinic
- MUSTEK22 - Recording Studio
- MUSTEK24 - Introduction to Live Electronics: Ableton Live
- MUSTEK30 - Location Recording
- MUSTEK37 - Mix of Sound
- NORSK20 - Norwegian Language Course
- NORSK21 - Norwegian Language Follow-Up Course
- OPERA23 - Operaakademiet
- ORGEL25 - Introduction to Organ Playing
- ORKPNO20 - Orchestral Pianist
- PLATE20 - Create your own Record Label
- PRAKSADM20 - Music Administration - practical experience
- PRIMAVISTA20 - Prima Vista
- PRØVESP20 - Audition Training I/II
- QIGONG20 - Qigong
- RESANG20 - Recitative Singing
- ROMINT20 - Song Interpretation
- RYTTREN20 - Rhythmic Training
- RÅ20 - Concert Series RÅ!
- SAMI20 - Sami Music
- SANG20 - Singing for Instrumentalists
- SAMPNO20 - Samtidspiano
- SASA20 - Singer - songwriter
- CONCOM70 - Contemporary Music and Commission Work
- DIMAST70 - Master Project – Specialisation
- DISTUD70 - Conducting
- DISTUD71 - Conducting
- DISTUD78 - Conducting
- EXCHANGE70 - Exchange semester
- EXCHANGE71 - Exchange semester
- FONSTE70 - Introduction to Phonetics and Voice Theory
- FORFOR70 - Research Forum
- KPKUNST70 - Artistic and Aesthetic Seminar I
- KPKUNST71 - Artistic and Aesthetic Seminar II
- KPMAST70 - Master Work
- KUNSTFORM70 - Artistic Specialisation I - Concert production/Outreach
- KUNSTHO70a - Artistic Specialisation I – Principal Instrument
- KUNSTHO70b - Artistic Specialisation II – Principal Instrument
- KUNSTHO70c - Artistic Specialisation III – Principal Instrument
- KUNSTHO72a - Artistic Specialisation I - Principal Instrument
- KUNSTHO72b - Artistic Specialisation II - Principal Instrument
- KUNSTHO74a - Artistic Specialisation I - Principal Instrument
- KUNSTHO74b - Artistic Specialisation II - Principal Instrument
- KUNSTPRO70a - Artistic Specialisation I - Project
- KUNSTPRO73a - Artistic Specialisation I – Project
- KUNSTPRO73b - Artistic specialisation II – Project
- MASTFOR70a - Master's Forum I
- MASTFOR70b - Master's Forum II
- MUSPER71 - Music in Perspective
- MUSPER72 - Project Development and Music in Perspective
- MUSTEK70 - Music Technology
- OPEHIST70 - History of Opera
- TEAN70 - Analysis I
- TEFOLK70 - Traditional Norwegian Music and its Theories
- TEHIST70 - History of Music Analysis I
- TEHIST71 - History of Music Analysis II
- TEJAZZ70 - Jazz Theory and Arranging
- TEKMAST70 - Master's Project
- TEKOGN70 - Music Cognition and Aural Skills
- TEDID70 - Music Theory and Aural Skills Teaching Methods
- TEMAST70 - Master’s Project
- TEFORUM70 - Master’s Forum I
- TEFORUM71 - Master’s Forum II
- TEPART70 - Partimento and Counterpoint
- UTKAMM70 - Chamber Music and ECMA IP
- UTKOMP70 - Composition and Performance
- UTMASTER70a - Master's Project I
- UTMASTER70b - Master's Project II
- UTMASTER72a - Master's Project I
- UTMASTER72b - Master's Project II
- UTMASTER73a - Master's Project I
- UTMASTER73b - Master's Project II
- UTMAST70 - Master's Project
- UTMASTER74 - Master's Project
- UTMASTER76 - Master's Project
- UTMASTER78 - Master's Project
- UTPRO70 - Semester Projects
- UTREPINT75 - Repertoire and Interpretation
- UTREPINT77 - Repertoire and Interpretation
- UTREPINT78 - Repertoire and Interpretation
- UTREPINT79 - Repertoire and Interpretation
- UTREPINT90 - Repertoire and Interpretation
- CONFPRA70 - Conference Practices
- DIHO70 - In-Depth Instrument Training
- KAMMUS70 - Chamber Music for Master Students
- KOMP29 - Composing for Ensembles
- KONSPRO70 - Concert Production for Master's Students I
- KONSPRO71 - Concert Production for Master's Students II
- ORKPRA70 - Orkesterpraksis
- TEAN71 - Analysis II
- DRAVHA90 - The dissertation and PhD examination
- DRFORMID90 - Text and Presentation Forum
- DRINNF90 - PhD Introductory Course with Ethics
- DRMET90 - Research Methods and Ethics
- DRMUS90 - Research on Music Practices
- DRVALG90 - Project Concentration Elective
- DRVIT90 - Philosophy of Science
- KUNF90 - The National Research School for Artistic Research
- KUNSTHO80 - Artistic Specialisation - Principal Instrument
- DIGDI50 - Digital didaktikk i musikkundervisning
- ORGIMP51 - Church Organ Improvisation
- RYTLED50 - Rhythmical ensemble conducting
- SAMT50 - Contemporary Music Performance Practice (1950 - up to date)
- SANG50 - Singing